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By Nicole Harris
N: You have done many virtual performances in the last year, between 24hr ChoreoFest and OnStage’s most recent season. What are the joys you are finding in this format that you wouldn’t get in live performance? AF: For 24 hour ChoreoFest, I found joy in creating a duet that could never be performed in a conventional theater. In this duet, I was projected onto a screen in the room where my collaborator was dancing in, allowing us to look like we were in the same place, while we were miles away. The duet that I created was inspired by the ending of Philip Pullman’s His Dark Materials, a story that I wouldn’t have been able to approach if not for the virtual format. For OnStage’s Season 19, it was inspiring to be able to dance in nature at the Fruitlands Museum in Harvard, MA. While it took a couple of rehearsals to learn how to dance on grass, I have never performed in a more beautiful space than that!  Photo by Olivia Moon Photography N: This year’s NACHMO is different than anything we’ve done in the past, with all events entirely virtual. How will you change your process to deal with the obstacles 2021 brings us? What is the first thing you did at the start of the month? AF: My goal for NACHMO is to embrace the fact that we are all dancing in our homes. Because of that, I started this month with playing around with dancing on my bed and other places of my house. It took a little bit of time to understand how to work in a narrow hallway or a bouncy bed, but these experiences certainly opened up the movement vocabulary of my piece.
N: Who are your mentors? What makes those relationships special to you? What are you doing to pay forward the gifts they have given you? AF: Larissa Ursprung is my constant sounding board and mentor. She’s usually the first person I run my dance ideas by and sometimes, like for 24 hour ChoreoFest, I get to collaborate with her! Being a member of OnStage has also provided a community of dancers who mentor each other. The OnStage choreographers often provide feedback and help each other think through their pieces. N: It is important to us that we continue to lift up other artists in our community. Who are some of your favorite Boston area choreographers? Why? AF: Wendy O’Byrne of Contemporarily Out of Order is among my favorite Boston area choreographers. I find her way of incorporating a story into her choreography compelling. Natalia Maldari is another one of my favorite Boston area choreographers. I appreciate how she juxtaposes traditional ballet vocabulary with novel movement. 
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 Photo by Kathryn Swayze Photography Empower One Another was a collaboration between Nozama Dance Collective and OnStage Dance Company. Here are a few thoughts from Jennifer Crowell-Kuhnberg of OnStage! Nicole Harris: Collaboration can be rewarding and difficult. What is one great moment and one challenge you’ve faced during this process? Jennifer Crowell-Kuhnberg: My collaboration with Erica Nelson was very rewarding and ran very smoothly. We worked so well together and I felt like we were able to mesh our ideas and styles quite well. I think we each contributed equally to the piece but also felt comfortable to suggest adjustments. Our dancers were also phenomenal in generating movement phrases and improv based on our prompts and allowing us to cherry pick our favorite pieces.  Photo by Kathryn Swayze Photography N: In addition to collaborating in the studio you have been collaborating with Nozama on this entire project. What is something you’ve learned through this experience? JCK: I have gotten to know Gracie Novikoff so well in the last few months and it’s been a joy to, not only work together on producing this show, but also to build a friendship. We have very similar sensibilities and goals when it comes to our respective companies and it’s been great to learn, share and reflect with her on both our mutual and varied experiences as dance company directors. That Director role can feel isolating sometimes so it was helpful for me to connect with her in that way.  Photo by Kathryn Swayze Photography N: Why was it important to you for OnStage to be part of this project? JCK: It’s my continuing goal to have OnStage be an open space for emerging dance makers and a safe space for experimentation. When Gracie came to me with this idea, I saw it as a perfect opportunity to provide those much needed resources and help support her goal of collaboration for this project. I think more companies and choreographers should be seeking out ways to collaborate or support each other. Since moving my company to Malden, I’ve also been on a mission to bring more dance artists into this city and hopefully get my local community more involved and more exposed to this type of performance art!  N: Where else can we find you this Spring/Summer? JCK: We have so many exciting upcoming projects: Malden Dance Mile OnStage is collaborating with Monkeyhouse to produce the first-ever outdoor dance and movement festival to Malden. Find us on the Malden Community Trail on Saturday, April 27 from 12-3pm for performances, choreography games, dance class demos and more, featuring tons of local performers! Later that evening, OnStage will be performing at the West Medford Open Studios event at 4pm at 400 High Street in Medford! I will be showing work at the AS220 Modern Movement Festival in Providence, Rhode Island on April 25 and 27. OnStage Dance Company’s Season Seventeen Performance will be held at the BU Dance Theater on June 15! And I am currently auditioning dancers for a reboot of a special project called “What Is Love?” which will debut in July at OnStage!  N: What other local companies/ choreographers do you recommend people check out? Why? JCK: Obviously I want to encourage everyone to check out the other performers in this series and support the other projects they have going on!   One of my favorite things about my job is that amazing people like Gracie (Nozama) and Jen (OnStage) reach out to me when they have exciting projects like Empower One Another and ask me to interview the artists and host their post show conversations! Get your tickets to see six female run dance companies/choreographers on April 13th. You can catch the matinee, check out the Spork (post show conversation) with yours truly and then head over to the Dance Complex just in time to see karen Krolak's I-ARE Residency Showcase in the evening! It's a perfect day of dance! But first, check out this fabulous interview with Gracie Novikoff about Nozama's role in this show and her experiences in collaboration! (More show at ticket info at the bottom of this post!) Nicole Harris: Collaboration can be rewarding and difficult. What is one great moment and one challenge you’ve faced during this process? Gracie Novikoff: When Jen (of OnStage Dance Company) and I were coming up with the concept for “Empower One Another”, we were primarily driven by the idea of bringing Boston dance companies and independent choreographers together. We wanted to not only promote collaboration, but support for one another and to build a network in which directors can share the highs and lows of managing a company in Boston. With that, the overwhelming reward of “Empower One Another” has been to see six companies share their visions, talents, and experiences to work together and create beautiful new art. I am also thrilled to see the companies creating works under the themes of female empowerment, as this is what drives my company Nozama Dance Collective’s entire mission. At the same time, working with others can be tricky when you all have strong, powerful ideas that are worthy of being shared. With our partner company, Kaleidoscope Dance Company, they are also directed by not one but two incredible women. Along with my co-director Natalie, that makes four collaborative partners with bold ideas. Finding space and time for all four of us to be heard in this process has been tricky, especially when even the co-directors disagree with one another! But overall, that challenge has made me even more proud of this process.  N: In addition to collaborating in the studio you have been collaborating with OnStage on this entire project. What is something you’ve learned through this experience? GN: Working with Jen from OnStage Dance has been a gift. She is not only an experienced instructor and choreographer, but studio owner. She also single-handedly runs a 60 person company, which is a phenomenal feat. Jen juggles all of her tasks and jobs so seamlessly, and I have learned an incredible amount from her. She has taught me about prioritization, time management, and how to push beyond one’s limits. Our partnership materialized into “Empower One Another”, which is such a dream and accomplishment to me. I cannot wait to see what else our partnership creates!  N: Where did the idea for this concert come from? GN: Unfortunately in the Boston dance community, there is not nearly as much support between companies as we would like to see. Companies do not often attend one another’s shows, or take one another’s classes. Companies are insular, and do not often collaborate or help one another with things such as fundraising or networking. Jen and I wanted to tackle that, and bring companies together to collaborate and share one another’s gifts and creative visions. At the same time, we wanted to help form a network between Boston dance company directors and choreographers. Managing a company is hard work, and doing it without any support is nearly impossible! Having the six company directors meet for a Round Table Discussion about how we all tackle the challenges of managing companies was a massive priority for Jen and I. The “Empower One Another” performance is the exciting culmination of this collaboration, but we know that the partnerships will last beyond the show as directors continue to lean on one another for support.  N: Where else can we find you this Spring/Summer? GN: Nozama Dance Collective has a lot of exciting things coming up! We are launching our Spring Company Class Series, in which we will teach master classes at Green Street Studios on 3/18, 4/19, 5/6, and 5/20. Additionally, we have our annual concert “Uplift” at Green Street Studios on August 9th and 10th. We are also looking forward to performing in a few festivals and concerts around Boston, so keep an eye out for us!  N: What other local companies or choreographers do you recommend people check out? Why?
GN: SO many! It is so hard to pick just a handful. The Boston dance community is filled with incredible talent, visions, and creativity. Personally, I am drawn to choreographers who tell poignant, empowering stories about the female experience through their work. Putting the other artists of “Empower One Another” aside, I am forever drawn to Colleen Roddy’s choreography. I am also inspired by the work of Luminarium Dance, particularly because that is another company managed by two incredible women who collaborate together so well. But honestly, if you have a free night, just check out the Dance Complex or Green Street Studios and check out whatever is happening! There is no bad dance experience out there. Support other artists! They will support you back! Photo by Kathryn Swayze Photography Nicole Harris: What is the work you'll be performing at re{ACT} re{BUILD} re{COLLECT}? Jennifer Crowell-Kuhnberg: I'll be presenting excerpts from "Selichot." The piece explores themes of wrong doing, repentance and forgiveness. Selichot ("s'lichot" in Hebrew meaning "forgiveness") precedes the Jewish New Year, Rosh Hashanah. It marks a period of time in which we are encouraged to reflect on wrong doings of the past and consider how we can better ourselves, ask for forgiveness from those that we've hurt, and move forward into the new year with a fresh perspective and a motivation to be better. N: This isn't the first time you've shown this piece. Where/when did it premiere? JCK: This piece was originally commissioned by Cantor Peter Halpern for Temple Shalom in Newton, MA, where it premiered in September 2017. It was created as a site-specific work for the congregation as a way to reflect on the themes of the holy day of "Selichot." N: What made you want to restage it now? JCK: I was struck by a recent conversation with Karen Krolak, in which we discussed an expectation in the dance world that seems to demand that choreographers constantly create new work. However, for emerging or smaller local companies, it means that a lot of old work is only performed once or twice for a small crowd and then never sees the light of day again. I felt excited by the opportunity to take a piece that I loved very much and allow it to be seen in multiple settings by as many different audiences as possible. This has also allowed me to take another look at certain parts of the piece and adjust, add, subtract, or just see how it evolves simply by being set on a new dancer. This piece was an unexpected joy to work on. The movement feels so natural and fun to do and I genuinely enjoyed creating it and setting it on my dancers. I’m excited for the opportunity to bring it back to life and present it to new audiences. Photo by Kathryn Swayze Photography N: Who are the dancers you are working with? JCK: Aside from myself, the other dancers performing with me are Marisa Cohen, Alaina Sawyer and Amanda Untracht. (Natalie Schiera is also in the new cast but will not be performing on the 29th.) N: This is the first time you've worked with some of these dancers. How has that process been? JCK: Yes! Marisa is the only other dancer from the original cast of this piece, and I’ve brought in Alaina to join. I’ve worked with both for several years through other OnStage projects. I’ve never worked with Amanda before, but she is currently in residency at OnStage and I thought she’d be a great fit for this. I met Natalie through recent collaborations with Nozama Dance Collective, but also never danced with her before. It has been an absolute joy working with these dancers. They’ve learned the work at lightening speed and are beautiful movers. I’m so glad that we’ll be able to perform the work several times together! N: Where can people see the full piece? JCK: The full piece will be presented at the AS220 Providence Movement Festival on Thursday, April 25 and Saturday, April 27!  Photo by Mickey West N: What other amazing things are you doing that people should know about?
JCK: Oh! Just a couple of things: - April 13: Empower One Another - A performance series focused on the themes of the female experience and female empowerment, co-produced by myself and Nozama Dance Collective. Featuring 6 dance companies, including work that we have choreographed collaboratively, at OnStage Dance Company. - April 27: Malden Dance Mile for Artweek Boston - An outdoor street festival celebrating dance and movement. Co-produced by myself and the lovely Nicole Harris and Karen Krolak of Monkeyhouse. Located on the Malden Walking Path between Ferry St and Maplewood. - June 15: OnStage Dance Company’s Season 17 Performance featuring original work created by emerging choreographers and performed by our company of 50+ dancers, at BU Dance Theater.
Musing Prompt #46.329 (premiere) Improvisation Prompt by Karen Krolak Performed by Caleb Howe, Elyssa Berg, Nicole Harris, Olivia Scharff and Sam Mullen Music by Twink the Toy Piano Band Special Thanks to Aisha Cruse Ukiyo (premiere) Choreographed by Nicole Harris Performed by Sarah Friswell Cotton, Olivia Scharff, Nicole Harris Costumes by Nicole Harris Special Thanks to Kelsey Griffith, Impulse Dance Center Ukiyo (Japanese) - the “floating world”; a place of fleeting beauty and living in the moment, detached from the bothers of life. [220] (premiere) Choreographed by Karen Krolak in collaboration with Sam Mullen Performed by Sam Mullen Music by Twink the Toy Piano Band Sam would like to thank Karen for the encouragement, freedom of expression and constant support. www.DictionaryofNegativeSpace.com
4 things (2018) Choreographed by Elizabeth Powers in collaboration with the dancers Performed by Michelle Boilard, Michela Doherty, Sarah Feinberg, and Elizabeth Powers Music by Mystified Costumes by Elizabeth Powers
Voetstoots (premiere) Choreographed and Performed by Caleb Howe and Nicole Harris Music by Francois Couture Sound Design by Nicole Harris Umbrella Design by Karen Krolak Special Thanks to Karen Krolak and Peter-John de Kock Voetstoots (Afrikaans) - refers to something, usually sold, with all its faults and without guarantees - “As is” * Created as part of Monkeyhouse’s Choreography Mentorship Program
by Nicole Harris
For the past year I have been honored to have three former students return to the studio to take class as adults. It began with Olivia Scharff, who sweated out the summer with me last year at Impulse Dance Center during my adult tap class. When September rolled around she was joined by Kelsey Griffith and Monkeyhouse alum Sarah Friswell Cotton. Towards the end of our first ten week session these ladies approached me to ask if they could dance on the "big stage" in Impulse's end of year concert. LuAnn (Impulse's director) was more than happy to include three Impulse alumni in her show so we got down to work and the second ten week session was dedicated to creating a piece of choreography. The piece they performed this June was to Waving Through a Window from the Broadway show Dear Evan Hansen. The choreography was intricate and the incredible music gave the piece body and character. However, the music also allowed for the dancers to hide within its orchestrations. Don't get me wrong, these ladies aren't lazy! But the fullness of the music overpowered some of the rhythms and counterpoints they were working so hard on, so we decided to also create a version of the piece with no music at all to be part of reAct reBuild reCollect in July. The original plan was for all four of us to perform this new tacit piece but unfortunately, Kelsey tore her ACL this spring and will not be able to join us at the performance. However, you can still learn about the amazing things she, Sarah and Olivia are doing by clicking on their images below. It's exciting to see how people keep dance in their lives and these three are doing some pretty incredible work.
I can't describe to you how much fun it was to work with these ladies again. Teaching adults is a very different thing than teaching children or even teenagers. I loved seeing the different ways each of them had learned how to learn in the ten years since they last took class with me. I am impressed by their ability to see their strengths and also their weaknesses and not be afraid to ask for or offer help. I am honored to dance with them on July 27th and continue working with them in the future!
Nicole Harris: Can you tell me about the work you’ll be performing as part of the OnStage Summer Performance Series? Kelley Donovan: We are developing a modern dance work using chance elements, numerology and imagery from the Tarot, Additionally, I am performing a recent solo and showing an old solo from 1994. Rozann Kraus will perform "Waltz news" featuring 6 dancers depicting images of the "false news" featured on social media. N: Who are the dancers you’ll be working with? KD: 10 dancers, some new and some whom I have worked with since 2007, The dancers include: Rose Gibney, Carolyn Jepsen, Crystal Heroux Jacqueline Wilkinson Jane Wong, Katie Logan, Kira Mathiesen, Lauren Sava Marva Yates , Samantha Wilson, Sarah Takahagi,, Tiffany Lau and Rozann's work features: Jacqueline Wilkinson, Jim Banta, Karen Klein, Kelley Donovan, Rozann Kraus, Dan Quinn and Samantha Wilson N: You have a performance series of your own called the Third Life Performance Series. Can you tell us about it? How did it come about? KD: Yes, the third life series has been going for 6 years now since 2012 and we have presented over 150 choreographers and groups! It is an informal series, designed to echo works in progress like the Judson Church Monday night showings in NYC. When I started the series there were few informal showing in Boston and I felt a need for a stepping stone to full concerts and full productions and a need to build community that comes from seeing one anothers work.
N: What are some amazing things you have been up to since we spoke in January?
KD: I have mostly been performing solo work, at Thang at Somerville Armory, Mayfair, Third life and performed w/ teXtmoVes and with Kraus and..... in Dance for World Community, We Create at Hibernian Hall, I also reset a new work on Boston dancers called "Transitional State" at Dance Complex, and created a commissioned work for Boston Moving Arts for the same show! It has been quite a busy year so far!
You can catch their show at OnStage Dance Company, 665 Salem St, Malden, MA Saturday, July 7th @ 4pm Use VIP Code NDC10 to get a special ticket price here! Follow Nozama on Facebook, Instagram & Twitter to learn more about them!! Nicole Harris: Can you tell me about the work you’ll be performing as part of the OnStage Summer Performance Series? Gracie Novikoff: Nozama Dance Collective is thrilled to be a part of the OnStage Summer Performance Series! We will be presenting a 45 minute set on Saturday, July 7th at 4pm. We will be performing predominantly new works, which is very exciting! We have been crafting a series of pieces surrounding the concept of “Enough”, in that as women we have seen enough, we have heard enough, we have had enough; now is the time to embrace that we are enough. Under this concept’s umbrella, we are presenting empowering works of frustration surrounding the threats to women’s rights, as well as uplifting dances of women coming together to celebrate one another. The tumultuous political climate of 2016-2018 has inspired us in numerous ways, particularly in how bold women have stood up and claimed their voices against oppressive forces. We are committed to bringing female empowerment to the Boston dance community, and this performance will fully embody that. This set list will then make up a large percentage of the choreography for our own full-length production, appropriately entitled “Enough”, which will be on August 3rd and 4th at Green Street Studios in Cambridge, MA.
In creating our pieces, we pull inspiration from our own experiences as well as the other women in our lives and our relationships with them. Specifically, Natalie Schiera and I (Nozama’s Co-Directors) are inspired by our mentor from Boston University, Micki Taylor-Pinney. She taught us the bulk of what we know about the art of choreography, and how to captivate an audience with your message. She is our greatest instructor and guide! N: Last time we spoke it was during NACHMO Boston and you were presenting work of a new choreographer for your company. Have any additional company members choreographed work during 2018? How has it been for you and for the dancers to expand the number of choreographers you’re working with? What have some of the challenges been? What has been really successful? G: One of the internal missions of Nozama Dance Collective in 2018 was to offer opportunities to our dancers that would promote their own individual goals as artists. With this, we now have numerous choreographers within the company. Natalie Schiera and I as Co-Directors still choreograph many of the pieces, but we have had stunning pieces choreographed by Kelly Gauthier, who has been with the company since its inception. Additionally, this season Dana Alsamsam is choreographing a phenomenal trio, while Juliana Wiley is crafting a fantastic duet. We are also excited to produce solos choreographed and performed by Teresa Tobin and Katy Esper, individually. We look forward to fostering the creativity and passion of our dancers as choreographers and as artists, and we are consistently seeking opportunities for them to achieve their goals.  Photography by Christopher Huang N: I know it hasn’t been nearly as long between the last interview and now as it was between the first two, but what what are a couple of amazing things that have happened to the company since January?
G: So many things! We are especially proud to now be officially partnered with the Big Sisters Association! We teach monthly workshops to girls ages 9-13 years old with their “Big Sisters” from the program. These workshops focus on topics such as girl power and positive body image, and incorporate movement and choreography to express these concepts. The partnership has been tremendously beneficial for both parties, and we are excited to donate a proceed of our ticket sales from our August 2018 production, “Enough”, to this organization.
For more information about Jennifer and OnStage Dance Company check out their website, Facebook and Instagram. For more information about the OnStage Summer Performance Series and to get tickets, click here! Nicole Harris: What made you want to start a performance series? What are you goals for it? Jennifer Crowell-Kuhnberg: My goals for the performance series are multi-faceted! To start, producing an evening-length showcase is a very expensive and overwhelming endeavor for small dance companies. I wanted to provide an opportunity for these groups to show their work in a way that didn't cost them anything but could also yield a profit for them, from their ticket sales. Most small companies are lucky to break even after a show, much less walk away with a profit. On the other hand, being new to the Malden community, I wanted to help facilitate the beginning of what I hope will be a more robust arts' scene in this part of the city by bringing in some fantastic, local companies. Our new studio space is huge and has such incredible potential as a burgeoning arts space! It's a perfect location for experimental showcases and events and this idea seemed like a great way to expand on some of the successful programming we are already doing (like our Residency Program and Annual Arts Marathon). I hope we'll see members of the Malden community, and surrounding towns, come in to see some of the performances and experience dance in a new way (or for the first time!).
N: You also have a choreographer residency program. Can you talk about that and how it came about? J: The Residency Program came about when OnStage first acquired our own studio space, about five years ago. Having our own space allowed us limitless possibilities in terms of the programs and opportunities we could offer as a non-profit arts organization. With our performance company, the choreographer auditions and rehearsal process are very regimented as we have a limited time frame to work within. The Residency program was an opportunity to give choreographers more time to play, explore and experiment by giving them no rules (other than to show up and create something!). It changes the dynamic of the choreographic process when you're free to create whatever you like, or can have an idea evolve in a way that you might not have expected. N: You have only been in your space for about a year. How has it been? What are the unexpected challenges of running a space? What has been wildly successful about it? J: Moving to this new space has been such an adventure! We had our own studio in Somerville for several years, but I was very excited for the opportunity to expand into a larger space - and when I walked into this studio for the first time, I knew I had to have it! It's always challenging when you move to a new area, as we had to start from scratch with all of our marketing efforts and getting people to know who we were and where we were located. Even a year in, that's still something we're working to improve on! But it's been such a thrill seeing so many new people come in to take classes, or audition for our company, or sign up for our programs. I hope we'll continue seeing more new faces each day! N: You clearly have done a lot to champion choreography and choreographers. What is that particular cause so important to you personally? J: Thank you! I think the reason this is so important to me personally is because I took the long way to get here and I wish I'd had a short cut! Meaning, I was very intimidated to break into the dance scene and find my place in it. I was told it was too "cut throat," too competitive, not a reasonable way to make a living, and so on. Finding success as a choreographer can seem impossible when there are not enough opportunities for emerging dance makers to show work, build their brand, or discover what their brand even is! It takes a lot of time to cultivate your artistic voice and get eyes in front of your work. By offering some of these programs through OnStage, I hope I can make it just a little easier for artists to find their way.
N: Monkeyhouse believes in the importance of both giving back and paying forward. Who are some of your mentors? How are you paying forward what was given to you?
J: My earliest mentor was Elaine Hershfeld from the Mark Twain School. She was the director of the dance program and was always so supportive of my little creations. She awarded me the Choreographer of the Year Award way back in 1998 and I swear, to this day, it's one of my most meaningful achievements. I also had some fantastic teachers at Horizons in Dance in Brooklyn who instilled that sense of joy in dance but also a very strong work ethic. I've been working as a full-time dance instructor at many studios over the years, and I definitely try to emulate their teaching style. They were a huge influence on me as a kid and if I can have even a fraction of the same impact, I know I'm doing ok. N: Monkeyhouse has a Choreography Mentorship program and we are always interested in hearing what other artists have gone through. What advice would you offer to emerging choreographers? J: Most advice that emerging choreographers will hear is related to working hard, being tenacious in their efforts to get work out there, applying to everything, etc. And that is all good, and important, advice. I would also add that the best thing you can do for yourself is not try to be someone or something that you're not. Be proud of your unique dance voice and don't worry about trying to change your work to fit what everyone else is doing. Your work will naturally evolve and be influenced by other things you see and experience, but the worst thing you can do with your art is compare it to others' and force it to be like theirs. The most successful and well respected choreographers have that reputation because they paved their own way.
N: What is your favorite memory from last year's festival?
ODC: There were so many favorite memories from last year. Just the experience of spending that much crazy quality time with my dancers was a real treat. But at one point one of our dancers was teaching us a really complex Bollywood-inspired movement phrase that was a challenge for the rest of us. The moment we all nailed it, we screamed so loud in celebration. It was a high-point of the night! N: What have you been up to in the last year? ODC: We have been up to so much this year! We've wrapped two performance seasons since our last ChoreoFest, expanded our Repertory group, created a Residency program at our studio, and have help hundreds of classes. OnStage is on a roll! N: Where can people see you/your work these days? Any upcoming performances? ODC: We've had a ton of performances over the past few months but our next ones are: The Festival of Us, You, We & Them, The Southern Vermont Dance Festival, The OnStage | Repertory Fall Showcase and the 12th Season of OnStage begins in October. |
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