Sam Mullen: How does it feel to set Firk II on new dancers? karen Krolak: Mostly, I am glad that the piece is getting a new life. If there is one thing that I have learned by setting in on you and Olivia and Sarah, it is that my body used to be much more fluid and flexible...seventeen years ago when first built it. There is something humbling about a piece being able to have a long life span in this ephemeral medium. So often pieces just get performed over the course of one or two weekends and then vanish forever.  SM: Can you remind me, how did Firk II get developed? kK: When Monkeyhouse was on tour in the summer of 2001, we became obsessed with the Oxford English Dictionary in the van. We discovered a mutual love of archaic words and when we began applying to festivals in the fall for our 2002 tour, we decided to create a choose your own adventure concert, titled Anablep and Other Oddities, where audience members ordered from a menu of titles based on these outdated gems. Looking back, I wonder how much our interest in obsolescence was related to how fundamentally our world shifted after 9/11. And now, I am drawing parallels to finding solace in a dictionary at a time when the unimaginable happened and thousands of Americans died in 2001 and then how I began the Dictionary of Negative Space in response to the devastating lose of my family members in 2012. I suppose we will probably touch on that in a minute.  So back to Firk. this four letter word has a long and amusing history. Originally it meant to bring or carry then it evolved into urging oneself forward, eventually it became to urge or drive (like an animal) then it meant to cheat or make a living by cheating and was used to describe pick pockets and lawyers. You can see so much about how the collective mind of a culture works through this monosyllabic blast from the past. Audiences all over the country loved the interactive format of Anablep and Other Oddities and often came back to see the shows on multiple nights. If memory serves me right, we never managed to do the exact same show twice, which was great for the way that my brain works.  SM: Wow, I wish that I could have seen that show. I love your Dictionary of Negative Space and I know that there are a few pieces related to it in re{ACT} re{BUILD} re{COLLECT}. Have you considered presenting a choose you own adventure concert of pieces inspired by entries in the Dictionary of Negative Space? kK: Actually, I have thought about creating something like that in the future. People often ask me how they are supposed to explore the online version of the dictionary as if there is one correct way through it. Much like grief itself, though, each individual has to find a way to muddle through it.  SM: Oh, I am so excited about this idea. kK: Developing enough pieces to organize into a choose your own adventure format is going to take a couple of years, however. One of the conversations that has popped up during conversations with DeAnna Pellacchia of KAIROS dance through our I-ARE residencies has focused around how to build ambitious dance theater projects. Residency programs, like the ones at the Dance Complex, are vital to choreographers who want to develop big ideas into productions. The I-ARE residency, for example, has given me two opportunities for feedback from outside artists, an incredible amount of rehearsal space, a chance to test out workshops related to my project, and publicity support. You know that I am a vocal advocate for mentoring and I am so thankful to have time with Peter DiMuro, Rachel Roccoberton, and Daniel McCusker as I create...especially because this project is so personal for me.  You can catch Karen at
re{ACT} re{BUILD} re{COLLECT} on March 29-30th at the Multicultural Arts Center in Cambridge, MA Get your tickets today for $5 off the door price!
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Nicole Harris: You have been working with Sam Mullen quite regularly for almost two years. You will be performing two duets, Connexa (choreographed by Nikki Sao Pedro-Welch and Sarah Feinberg) and Firk II (choreographed by Karen Krolak and myself) in this concert. Can you talk about what it has been like to work with Sam? Olivia Scharff: Working with Sam has been wonderful! From the moment we met at Musing, we both knew we were kindred spirits and would get along well. This friendship is clear when dancing with Sam because our personalities mesh and performing becomes easy. I would like to point out that Connexa is especially easy for us. It is as if Sarah and Nikki set the characters on us specifically and we have a great time bringing them to life!  Photo by Sarah Friswell Cotton N: When we did re{ACT} re{BUILD} re{COLLECT} in the OnStage Summer Series in July Karen created a new solo, [82], for you. Since then the piece has also been taught to one of our guest artists, Kim Holman. Can you talk about what it was like to see a work you helped generate performed by someone else for the first time? OS: I really enjoyed watching Kim perform [82] at Groton School in the beginning of February. This piece created by Karen has many different interpretations, which is what I love about it. I enjoyed how the piece had the same background and story but the journey throughout was different. It’s like if you give two children instructions to construct a house, the result you get will be a house, but the journey to create this structure will be very different!  You can catch Olivia at
re{ACT} re{BUILD} re{COLLECT} on March 29-30th at the Multicultural Arts Center in Cambridge, MA Get your tickets today for $5 off the door price! |
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