 B-A-R Dance is a new company co-directed by our very own Elizabeth Powers along side Michelle Boilard, Cayley Dorr and Erin Saunders. We can't wait to see what they've been working on as part of Uplift! Get your tickets for Saturday's show today and you can catch Monkeyhouse hosting the post show conversation, too! Nicole Harris: What will you be doing for Uplift? BAR: B-A-R is founded on the idea that dance is fun and bodies are rad. We are passionate about using the power of movement to incite radical joy and transcend socialized and politicized boundaries.We believe in the power of using movement to instill a positive environment in which all bodies can thrive. Through this performance experience, we can continue to fulfill our commitment to creating work that is both accessible and challenging.  N: B-A-R Dance is new to the community and is directed by 4 choreographers. How do you know each other? How do you work together? Sharing direction under so many people can be challenging. What is the division of work between you? BAR: The four of us met while we were all studying Dance and Performance Studies at Roger Williams University. After working together and becoming so close in college, we knew that we shared similar artistic and personal values, as well as a common vision for what dance can and should be and do. B-A-R was born out of our desire to contribute something new and deeply personal to us to the Boston/ New England dance community. We all have different strengths, from community outreach to education to arts management to social media prowess, so we find that our individual work complements our work together quite naturally. Yes, working with four different voices at the table can be challenging, but we came together to form a company with a deep commitment to our friendship first. We dance together because we love each other and value one another as humans. We know that movement brings us together, and cannot drive us apart.  N: Who are your mentors past and present? BAR: We each have our own personal mentors but we are all extremely lucky to also share the same mentors from Roger Williams University. While we were studying, we were taught and mentored by Gary Shore, France Hunter, Cathy Nicoli, Michael Bolger, and Michael DeQuattro. Being a part of such a small program allowed us to be vulnerable and create close relationships with all of our professors and accompanists. We strongly feel that our time at RWU and these important connections with our mentors greatly influenced our decision to pursue our goals and form B-A-R.  N: Aside from the amazing people in this festival who are some of your favorite local choreographers?
BAR: In the Boston dance community, there are so many amazing choreographers/dancers we look up to and we feel so lucky to be included. To name two, we owe so much to Kenzie Finn of Project31 and Lacey Sasso of Sasso and Company. Both of these strong women run dance companies that we admire and look up to. They have also given us opportunities to dance and perform in their shows, which we are extremely grateful for. We strive to be as calm and collected as they are when they are producing their own shows, while pushing their limits to create innovative and challenging works. If you have the chance to see their companies perform, do it. You will not be disappointed!
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 Nicole Harris: What will you be doing for Uplift? Lisa & Nicole: We will be performing a piece called “Purlieus.” It’s funny because we choreographed the piece before Nozama even announced the theme of their show this year and it is actually about how we support one another as a group of women!  N: We have been thrilled to hear about your recent focus on mental health. Can you tell us about LUCIDITY and why the topic is so important to you? L&N: LUCIDITY is our upcoming production, premiering this fall! As artists, we’ve recently been focused a lot on who we are and what we want to say with our dancing and choreography. We believe mental health (not just illness!) is something that is not discussed enough in our day to day lives. We believe that taking care of your mental health should be just as important as taking care of your physical health… you workout to keep your body healthy, so why shouldn’t we discuss what’s going on with our mental states on a daily basis? There is so much stigma surrounding mental health and talking about emotions, and we want to end that! We all have emotions— happiness, sadness, anxiety, grief, excitement… the list could go on forever, but we want to bring those emotions to the surface and explore them without stigma. LUCIDITY is a compilation of the emotional experiences of us and our dancers and topics range from eating disorders to anxiety to injury induced depression, as well as community mentality, support systems, and authenticity. We are also partnering with a non-profit called “This is My Brave” (look them up if you don’t yet know them) and we will have a few of their speakers as a part of our show too! We are so excited to be part of UPLIFT because we think it is a great compliment to our show! Nozama works hard to empower women and in doing that they are also ending the stigma surrounding women’s emotions. And we think that is great!  N: Who are your mentors past and present? Nicole: A past mentor of mine was my college dance professor, Missy Pfohl Smith. She shaped my choreographic mind before I even really understood what choreography was. Missy was the one who helped me bring my academic background of physics into my artistic and creative work and I am forever thankful for her continued presence in my life. A current mentor of mine would be a current grad school professor, Mary Hale. I am pursuing a Masters in Architecture and Mary is a practicing architect with her own creative firm that works specifically with dancers in the performance realm! Mary has taught me so much so far and I am excited to keep learning from her in the next two years of my degree program. Lisa: My biggest mentors are my former dance teachers, Karen White and Terry Paretti. They taught me every style of dance and instilled a pure love for the art form that dance can be. They also supported and encouraged me to pursue my dream of having a career in dance once I graduated from high school! A current mentor of mine is a former coworker and good friend of mine, Melenie Diarbekarian. Although we aren’t far apart in age, I am constantly blown away by her hard work and dedication. She is a part of some of my favorite local dance companies and is a bright light in everything she does. Not to mention someone I can count on to be my barre buddy in ballet class! Through our time in knowing each other, she has shown me how to make things work and keep the flame of passion burning inside no matter how crazy life gets.  N: Aside from the amazing people in this festival who are some of your favorite local choreographers?
L&N: Modern Connections Turning Key Dance Company Luminarium by Nicole Harris Nicole Harris: What will you be doing for Uplift? Hannah Ranco: For Uplift I will be doing a contemporary solo, Soft Season (although I like to call it a duet as I am using a chair as a prop, the chair being just as important as me). The choreography was done at my school (Dean College) and I performed it for the first time this past Spring at Kelley Donovan & Dancers Third Life Choreographers Series. The music I will be using is #3 by Aphex Twin.  N: You are interested in creating work that layers many simple gestures to communicate a complex idea. Can you talk about specific examples of how that manifests itself in your work? HR: In this dance specifically, I use many humanistic gestures which prove to be vital in communicating with the chair. These gestures apart are what we would use in everyday life, but together creates a clear conversation with the chair. Being frustrated with the chair but also showing kindness towards the chair. I also enjoy taking simple gestures or movements (head nod, a wave, etc.) and manipulating them into something more abstract.  N: Who are your mentors past and present? HR: My mentor Ali Brodsky was my professor during both my freshman and sophomore year at Dean College. She taught many different classes that all transformed the way I think of dance. Freshman year was pilates, which allowed me to understand my own body. My restrictions and natural movement pathways. It also gave me a better awareness of the human body in general and the way it works. Sophomore year she taught my contemporary and composition class. My contemporary class taught me how to effectively move through space and allow myself to take up space. My comp class was probably the most transformative. She taught me the basic choreographic tools needed to create a piece. She also questioned my perviously held beliefs about what dance is, as well as introduced me to many pioneers in the field of dance that I hadn’t heard of before. Apart from me connecting with her personal aesthetic and movement, I really respected how honest she was with me and the other students. She wasn’t afraid to critique us but still did it in a way that was helpful rather than harmful. I grew the most from her classes. N: Aside from the amazing people in this festival who are some of your favorite local choreographers?
HR: Ashlee Rapoza is a friend from my school who graduated this year. She is an artist who I really look up to and admire because her art is so uniquely her. Her work screams Ashlee but she still manages to always find something new, a task I aspire to do in my own work. Apart from her dancing, she is also a very accepting and kind human, and I think that translates into her teaching, choreographing, and dancing. You can learn more about Ashlee and her work by following her instagram: @ashrapoza
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