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Getting to Know Brenna Banister: NACHMO Boston Interviews

1/2/2022

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By Nicole Harris
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Photo by Olivia Moon Photography
NACHMO Boston is run by the incredible Brenna Banister, Artistic Director of Alive Dance Collective. All of us at Monkeyhouse are so grateful to have Brenna as a collaborator and friend. Here she is talking about NACHMO, Alive, and her own choreography!
Learn more about Brenna here. Learn more about NACHMO, take the #MonkeyhouseNACHMOChallenge, and learn about where you can see these artists’ work by following NACHMO Boston and Monkeyhouse on social media!

Nicole Harris: NACHMO Boston has stretched itself in a whole lot of ways in the last few years. After needing to switch to creating dance films last year there are now three different tracks available for choreographers this year and choreographers are coming to NACHMO Boston from all over New England! What are you most excited about with all of this growth and change? What roles are you hoping NACHMO can play for the artists in our community?
​Brenna Banister: I love that NACHMO Boston has grown and adapted over the years that I've run it. It feels like every year we're able to offer something more that benefits the choreographers we work with. For me, the excitement is in hearing how NACHMO Boston has impacted people in their choreographic journeys. We hear time and time again about how mentorship has offered so much to people, how they've met and deepened connections with other artists through NACHMO, and how this is an important time they take to set aside and create. Mostly, I hope that NACHMO creates community within Boston. I hope for artists to find people they can connect with and who enhance their artistic exploration. Whether that's someone they talk to about dance frequently, artists they collaborate with, or someone they just check in with now and again. All forms of connection are valid and offer us as artists a chance to deepen our work and practice. It's my opinion that often artists get lost in a small bubble or their own internal space, and growth and expansion happen when we connect with those around us
N: For the second year now you will be creating a work of your own in addition to the piece Alive Dance Collective (for which you are the Artistic Director) is creating.
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Screenshot from paper bond (2021)
Where do you find the creative energy with everything else you do to keep NACHMO Boston up and running during the month of January? Where do you turn when that creative energy is running low?
​
BB: It feels really ambitious to create while running NACHMO Boston! For the first few years I ran NACHMO I absolutely refused to also choreograph. However, I think due to my injury (mentioned later) and so much time of inactivity, I'm itching to do something creative right now. I also always find that NACHMO inspires me. The mentorship sessions keep my spirits and creativity up. Even the sessions where I don't show my own work offer me so much inspiration and motivation. Additionally, using the Creation track this year takes some of the burden off. I can create as much as works for me, and not feel pressure to come up with something that feels very "complete" and ready to present. Finally, working collaboratively with my dancers helps to keep ideas flowing and sharing the process with them allows for me to have rehearsals where I come in less prepared and see where the movement takes us!
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Photo by Olivia Moon Photography
N: You have been dealing with an injury for the last few months. How do you plan to tackle choreographing alongside this new obstacle? What are you most excited about for this new approach? What are you most nervous about?
BB: Yes; in October I ruptured my Achilles tendon. I 10/10 would not recommend! I still won't be able to move much in January- walking is my expected limit. I plan to build my piece very collaboratively, which is an approach I've grown to love. However, this time I won't really be able to contribute my own movement. I'm excited to see what the dancers develop and watch them create instead of creating alongside. It will be fun to see their movement develop! As for nerves, I don't have many! I feel pretty connected to the dancers I'm working with so I feel confident that they'll be able to interpret my ideas without me being able to move and that they'll offer many of their own wonderful ideas!
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Alive Dance Collective by Olivia Moon Photography
N: Different people from Alive choreograph for NACHMO each year. What do you hope your choreographers get from the process? How do you see NACHMO changing and strengthening Alive as a company?
BB: It's been so great to rotate Alive Dance Collective choreographers for the past few NACHMOs! I think it gives a chance for our group to get that kick in the pants and start the year off with someone different each year. Additionally, I'm so excited for added mentorship requirements. I hope that mentorship helps members of Alive find their voices and bolsters their confidence, while also connecting individual members of our collective with more members of the Boston dance community.
N: Last year you shared your love for Evolve Dynamicz, Ruth Benson Levin & Lynn Modell, Kristin Wagner, Monkeyhouse, Sasso and Co, Public Displays of Motion, and Ryan P. Casey. Who are some local artists you specifically met through NACHMO that you love? And why?
BB: I meet so many people through NACHMO! Jessica Roseman is someone who I got to know much better through Mental Health Happy Hours last year. She's a lovely person and I love how she works to make movement accessible to broader communities. I was able to attend one of her Nourish days at LexFarm and was so inspired! Also, Anne Goldberg-Baldwin is a NACHMO connection for me and I'm so fascinated with how her film last year combined her background in figure skating and dance. It was so beautiful!
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Getting to Know Brenna Banister - NACHMO Boston Interviews

5/25/2021

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By Nicole Harris
Photo by Olivia Blaisdell
Brenna Banister is more than just a NACHMO Boston choreographer. She is the director of Alive Dance Collective, the Regional Director of NACHMO Boston, and our dear friend. We love her foot dance and can’t wait for you to see it on June 5th at the Malden Dance Mile!
Learn More

N: In addition to being the NACHMO Boston regional director you were inspired to choreograph a piece this year! What made you excited about your idea?
BB: I initially started off the year not intending to choreograph. My first year as regional director I also choreographed and danced in a piece, and it was far too much for one month! However, once the month got rolling I was so excited by what everyone else was doing that I wanted in. A prompt put forth by NACHMO HQ this year was to dance with a piece of paper constantly connected to your body and the ground, and I found that very appealing. That was how the first phrase of my piece was created and I went from there!
​


​N:
This is your fourth NACHMO as regional director. What were some things you have learned from this process? What is your favorite part of NACHMO?
​
BB: NACHMO has really helped me see how vibrant the Boston dance community is!
Photo by Olivia Blaisdell
I’ve also learned that organizing is key, having help makes everything more exciting (yay Monkeyhouse!), the Boston dance community needs more positive experiences with what mentorship means, and that choreographers are always excited by this opportunity. My favorite part of NACHMO is seeing new connections being formed!
​
N: This year’s NACHMO was different than past years. What was one of your favorite moments? What was something that went a little sideways?
BB:
It was certainly different but so wonderful! I loved forming connections in the small groups of the Mental Health Happy Hours. It was amazing to form real, deep connection in a time when connection was so hard to come by. I also loved all of the group mentorship sessions. Each one was unique, but the current running through all of them was how kind and thoughtful people were about offering insight and feedback to each other. I left each session feeling inspired and full of admiration for the community that was created.
​
Malden Dance Mile Saturday June 5 & 12 Free Malden, MA
N: Who are your mentors? What makes those relationships special to you? What are you doing to pay forward the gifts they have given you?
BB:
My high school dance teacher, Rebecca McGregor is someone that I often pass along work to for feedback and insight. She’s been watching my choreography since I first started and it’s great to have that perspective! Otherwise, my mentors are the ladies of Alive Dance Collective. They are some of the most special humans to me and dancing with them results in safety, thoughtfulness, and all the laughs when working on pieces.
I try to pay these gifts forward by having a door open to talk about dance and life with the younger generation that I was lucky enough to get to know through a few years of teaching dance. Plus, by offering mentorship opportunities at NACHMO Boston with the goal that they feel as safe and fortifying as mine do.

​N: It is important to us that we continue to lift up other artists in our community. Who are some of your favorite Boston area choreographers? Why?
BB:
There are so many! Evolve Dynamicz, Ruth Benson & Lynn Modell, Kristin Wagner, Monkeyhouse, Sasso and Co, Public Displays of Motion, Ryan P Casey, and more!
NACHMO Boston, MA Logo on grey stripes
N: We are so thrilled to be in Malden! Do you have any connections to this fantastic city?
BB:
I unfortunately have not spent a lot of time in Malden, except for one time in Summer 2020 when my partner and I kayaked in the Mystic River. It was a beautiful day towards the end of the summer and was a new spot for us. I'm looking forward to returning to kayak again at some point this year!
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Getting to Know Brenna Banister - NACHMO Boston Interview

1/14/2018

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by Nicole Harris
White woman jumping One leg and arm stretch behind On the Boston streets
All Photos by Antoine Cabourdin
This interview isn't just with a NACHMO Boston participant but wth Brenna Banister, the woman who has taken the help of the entire project this year!

To learn more about NACHMO Boston you can find them on Facebook and Instagram!  You can also support this year's NACHMO Boston programming here!

Want to be part of National Choreography Month?  Take the #MonkeyhouseNACHMOChallege. Every day we will be posting a new prompt on Facebook, Instagram and Twitter.  Follow along on social media to get the prompts and see some incredible dances! Share your own videos (no previous choreographic experience required!) using the #MonkeyhouseNACHMOChallenge hashtag in order to be featured!

Finally, don't miss the NACHMO Boston Concerts at the Dance Complex on
Friday, February 9th and Saturday, February 10th!


N:  You have recently taken over NACHMO Boston.  How did that come about?
B:  NACHMO Boston has been something I’ve enjoyed doing since its conception here in Boston. I have danced with Jess Muise, the former organizer, in a number of different settings. She approached me last year to let me know that she would likely be moving on and asked if I would be interested. I told her that with the support of Alive, I would be so excited to host such a wonderful dance opportunity in Boston! Alive looks forward to NACHMO every year and we’re thrilled we get to share that in a new way this year.

N:  ​What are you most excited about for this year’s National Choreography Month?
B:  I’m always excited to see what everyone else brings to the table and the work that’s created. The connections made are always fun, and it will be so exciting to experience all of it from the driver’s seat. 
N:  Your company, Alive Dance Collective, is almost four years old!  Congratulations!  What made you decide to start a company?  Are you the sole choreographer for the company?
B:  Thanks! The decision to start Alive was less of a decision and more of a serendipitous series of events. I had met a bunch of dancers who I loved, and in July 2014 had a piece in my head that I really wanted to get out. I approached these friends to see if they would work on this piece with me. We rented studio space and worked together with no real end goal in mind. We were having so much fun, that eventually we decided we needed a name. From there, everything just fell into place. I am incredibly lucky to have a dedicated group of friends willing to share this journey with me. We create work that comes out of our life experiences and use dance as a way to support each other’s journeys. Our rehearsals are full of dance, tears, and laughter, and I couldn’t ask for anything more. At first, I did all of the choreography for Alive. However, over time others joined in and began creating work. Our first large show, presented in November 2016, was the impetus for that, and now we share choreographing roles based on who is interested and what projects we’re working on.
N:  You come from a traditional jazz, tap, ballet, modern background.  How does that range of styles impact the work you’re building today?
B:  I think having a wide knowledge base allows me to pull from many different areas and helps me to not feel boxed in. Although I don’t perform Tap very often, it is one of my heart’s biggest pleasures, and I find that my Tap training comes out in my Contemporary choreography, particularly with how I hear and interpret music.

N:  What changes in your process to build a piece in such a short time span (one month)?  How long do you usually take to create work?
B:  Creating work really varies for me. The piece that I started on Alive in July 2014 (“Shallows” or “The Pit”) took over two years (off and on) to complete. However, it is not uncommon for me to create something in a month if there’s an impending deadline. When I have to create work quickly, I usually start with an idea that is more fleshed out or less abstract. That way I either have already done some of the journey involving the concept of the piece, or there’s less of a complicated journey to take when thinking about the work. Then, I will usually create the choreography and teach it to the dancers. I usually incorporate less improv or collaborative building when there’s such a tight deadline, but I constantly talk to my dancers and other friends about the piece to gain ideas and inspiration. And sometimes, with a deadline, I just have to make a decision and can’t wait for the decision to come to me. One of my mottos is: “we can always change it later,” and I find myself reminding myself of that regularly during NACHMO. Nothing is set in stone, and sometimes making a decision actually gets you closer to what you want than sitting around waiting for the right answer to appear out of thin air. 

N:  Who are some of your favorite choreographers?
B:  I’m a big Kate Jablonski fan. I love her combination of technique and artistry and unique athleticism. I also love Emma Portner and Michelle Dorrance. In addition, I’ve loved Wayne McGregor’s work that I’ve seen, and I adored Yury Yanowsky’s “Smoke and Mirrors” and hope to see more of his work. Plus, he and Kathleen Breen Combs have the cutest baby!  ​
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