By Nicole Harris
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Nicole Harris: This is your third NACHMO which means it’s Collective Moment’s second birthday this month! What have you learned through the process of starting a company? What are your goals moving forward?
Kaylee Mahan: I am so excited for our second birthday month and am so excited to share it with you all!!! I have learned so many incredibly things.
N: You were part of the aMaSSiT program in 2022 (alongside Circe, Lila, Tess, and Soumya who are also part of NACHMO this year!). The piece you created has developed quite a bit since then. Can you talk a bit about your choreographic journey from aMaSSiT to now? When did you feel most successful? What are you looking for to keep your momentum going into 2023?
KM: Man oh man - first and foremost being apart of aMaSSiT was and is still one of the best experiences of my life, as a person, choreographer, dancer! I found community, happiness, and good healthy dance connections! It was so lovely to be in a shared space of artists of all styles and just share! As for my choreographic journey - I’ve taken a lot of time and put more thought into recent works, allowed myself to really slow down with some movement and approaches.
I’m honestly not to sure where I have felt most successful - thats one that I think I have to ponder on!
To keep my momentum going into 2023 I think is to just really keep diving into making connections and communication with my fellow artists! To create and move for nothing else other than to just move - I’m really excited to follow the daily prompts of NACHMO - i enjoy being able to follow along prompts and see what comes up and out of it.
N: The piece you made for aMaSSiT was a solo and has since included more people. Can you talk about the process of development, especially with the topic being so personal for you?
KM: he original work I envisioned expanding from aMaSSiT didn’t happen in the way I expected - I shifted it towards a duet which I hope to eventually grow into a possible evening length work from duet - group slowly continuously adding people in as the work progresses. I feel very fortunate to be surrounded around people who get being human and allow the space and room for it . I originally looked at the duets I was making as if they had nothing to do with the original solo, which I’ve come to be entirely incorrect in that I just didn’t see their embrace yet, if that makes any sense at all!
N: You live in Worcester and frequently make the trek back and forth to Boston/Somerville/Cambridge for rehearsals and performances. How can programs like NACHMO Boston better serve artists who live in the middle of the state, not just in the greater Boston area?
KM: Personally I don’t mind the drive but it is often quite a trek! I think maybe keeping in mind when scheduling events that some artists may being driving an hour plus back, sometimes late at night. It’s a choice that I choose to make but in reflecting to see if I had anything valuable to share, and thats something I think! However scheduling is so difficult…!
N: Monkeyhouse and NACHMO Boston believe that we wouldn’t be here without the support of our community. Who is one of your favorite local choreographers and why?
KM: JUST ONE! Oh my goodness well I’d like to name a few if able and you can pick and choose if you’d like, in no order what so ever:
I saw these two separate artists work at a show that we were in together this past July, I believe, and I often think about how lovely it was to see their creations. Core memory made!
Pearl Young: insta @pearlyoung21
Brett Bell: insta @bmbe11
Tess Saoirse Liddy @tess.saoirse
Gwen McGovern @gwen_mcgovern
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